Preparation

Writing and illustrating are solitary endeavors. You’re working on your own most of the time. Things you can do on your own include:

1) Generating ideas

2) Morning Journaling

3) Creative Walks

4) Master Studies

5) Remembering books you liked as a kid

6) Searching for an idea you can’t wait to make

7) Imagining scenes

8) Story Mapping

9) Drawing!

10) Making thumbnails

11) Character studies

12) Identifying your story’s problem

13) Writing down lines that pop into your head

14) Getting the whole thing down

15) Making a dummy

16) Looking at pacing and composition

17) Strengthening page turns

18) Evaluating how words work with pictures

19) Asking how you can SIMPLIFY

20) Eliminating unnecessary words and story points

With Your Critique Group

There’s so much that you can do on your own that you might be wondering why you need a critique group. Well, you need feedback. The most important thing you can do when someone else critiques your story is to listen. Don’t get defensive or blow off criticism. After all, you don’t have to take anyone’s advice on how to improve your story. Just listen, take notes, and express appreciation.

And then, you should probably ask some questions. So, let’s talk about some questions you might ask your critique group:

1) What excites you about this idea?

2) What scenes come to your mind?

3) What’s the heart of the story?

4) Where does the tension grow from?

5) What’s at stake?

6) What makes this story special?

7) How does the story relate to kids?

Other things you can cover, either as the one critiquing or the one being critiqued are:

1) Brainstorming ideas and possible story plots

2) Identifying the story’s hook or It-Factor

3) Evaluating the basic elements of story

4) Asking clarifying questions

5) Reading the story aloud to refine words

6) Drawing together

7) Flipping through page turns to work on pacing

8) Seeing where you can add more contrast

9) Evaluating the words and pictures

Different Strategies for Different Stages

Your critique group is there to help you, and you’re there to help them. It’s important to be sensitive to where people are in the process. In the beginning, people are more open to input and story ideas. But if they’re in the middle or the end stage of working on their story, they don’t need a lot more ideas. They need help refining what they already have.

And while you should listen to all of the critiques, you don’t have to apply everything to your story. You don’t need to chase all of the different possibilities. You’re still in charge of your story, and you can say, “Thank you. I’ll take that into consideration.”

But you do want to listen to what other people are saying and feeling. If more than one person tells you something isn’t working, it can be important to look at WHY it didn’t work for them. But then it’s up to you to find a way that resonates with you and your story to fix it.